The series consists of 80 black and white diptychs.
We could all be models for OMU series. Because we're all a sample of the beautiful , human and carnal . Similarly, any skin texture is inherently photogenic. But it is matter of genetics here is that of the (human) kind as well as that of the genesis (sexual ) . How then, witness this carnal identity constantly changing ?
The strength of the frame is to serve an aesthetic of the fragment. Failing to to include the infinite diversity of body, duotone student gender species . Broken and cracked , men are no less unique , by this same duality : strength and weakness. The dissection is only apparent , because mankind is revealed in the fascinating case of the male, itself so diverse ; or the body in general and in particular our skin is a place to share with the world and with others; and this is a result of the skin that must go.
The flesh is sharing and passing . Strong , the body is bent to live, want to love . Weak, it suffers, screams and then dies. It is dual : life force and fear to see . Hands to see his eyes closed . The black and white reduces the intransigence of this break as the strengths and weaknesses of the body give it to see fewer floods.
When she dangled skin , photography details infinity. Tissues and appendages , dermis and hair , veins and arteries are nothing less than a mass of cells, crowding themselves within them life. The curveball plunges us immediately into the empire of flesh.
Damien Poublanc
We could all be models for OMU series. Because we're all a sample of the beautiful , human and carnal . Similarly, any skin texture is inherently photogenic. But it is matter of genetics here is that of the (human) kind as well as that of the genesis (sexual ) . How then, witness this carnal identity constantly changing ?
The strength of the frame is to serve an aesthetic of the fragment. Failing to to include the infinite diversity of body, duotone student gender species . Broken and cracked , men are no less unique , by this same duality : strength and weakness. The dissection is only apparent , because mankind is revealed in the fascinating case of the male, itself so diverse ; or the body in general and in particular our skin is a place to share with the world and with others; and this is a result of the skin that must go.
The flesh is sharing and passing . Strong , the body is bent to live, want to love . Weak, it suffers, screams and then dies. It is dual : life force and fear to see . Hands to see his eyes closed . The black and white reduces the intransigence of this break as the strengths and weaknesses of the body give it to see fewer floods.
When she dangled skin , photography details infinity. Tissues and appendages , dermis and hair , veins and arteries are nothing less than a mass of cells, crowding themselves within them life. The curveball plunges us immediately into the empire of flesh.
Damien Poublanc
